Crossing brooklyn ferry

We understand, then, do we not? I see you face to face! Suspend here and everywhere, eternal float of solution! Because he is describing such a particular angle, no onlooker would be able to see what he saw, but at the same time, the sun itself might see it, or anyone looking into the water might see it with his own face.

Sound out, voices of young men! On the ferry-boats the hundreds and hundreds that cross, returning home, are more curious to me Crossing brooklyn ferry you suppose, And you that shall cross from shore to shore years hence are more to me, and more in my meditations, that you might suppose.

Sound out, voices of young men! And perhaps now, though he cannot be seen, the poet is watching the reader. We receive you with free sense at last, and are insatiate henceforward; Not you any more shall be able to foil us, or withhold yourselves from us; We use you, and do not cast you aside—we plant you permanently within us; We fathom you not—we love you—there is perfection in you also; You furnish your parts toward eternity; Great or small, you furnish your parts toward the soul.

He notes how all the business people and workers on the ferry appear "curious" to him. Gaze, loving and thirsting eyes, in the house or street or public assembly! In the final line, Whitman refers to "the soul," as if there were only one, without ownership i.

He says that we know the soul only by all the things that make up the physical world, the "faithful solids and fluids" that bind us together.

Flaunt away, flags of all nations! Just as you feel when you look on the river and sky, so I felt, Just as any of you is one of a living crowd, I was one of a crowd, Just as you Crossing brooklyn ferry refreshed by the gladness of the river and the bright flow, I was refreshed, Just as you stand and lean on the rail, yet hurry with the swift current, I stood yet was hurried, Just as you look on the numberless masts of ships and the thick-stemmed pipes of steamboats, I looked.

In addition, the expansive anaphoric lines mimic the movement of the boat and the ebb and flow of the tides, which is at once comforting, mesmerizing, and even, in its repetition, numbing.

Flaunt away, flags of all nations!

Crossing Brooklyn Ferry

From a moral point of view, it means that there are two mutually antagonistic principles in the universe — good and evil. You have waited, you always wait, you dumb, beautiful ministers!

Watched the Twelfth-month sea-gulls, saw them high in the air floating with motionless wings, oscillating their bodies, Saw how the glistening yellow lit up parts of their bodies and left the rest in strong shadow, The major image in the poem is the ferry.

Dualism, in philosophy, means that the world is ultimately composed of, or explicable in terms of, two basic entities, such as mind and matter. Everyone, and everything—even us Shmoopers — is a part of your reality, and you are a part of everyone and everything else, including the belligerent bus driver.

Oddly, he talks about himself in the past tense, saying how much he loved the city. There is also a slight echo with the unwritten word "whole" parts toward the whole as if the words might mean the same thing. Consider, you who peruse me, whether I may not in unknown ways be looking upon you; Be firm, rail over the river, to support those who lean idly, yet haste with the hasting current; Fly on, sea-birds!

Who knows but I am as good as looking at you now, for all you cannot see me? Even if there are hundreds of years between them, they are united by things which do not change. Throughout the poem, he will refer to shadows as the "dark patches" that have fallen upon him, comforting us that "It is not upon you alone the dark patches fall.

The similitudes of the past, and those of the future; The glories strung like beads on my smallest sights and hearings— on the walk in the street, and the passage over the river; The current rushing so swiftly, and swimming with me far away; The others that are to follow me, the ties between me and them; The certainty of others—the life, love, sight, hearing of others.

And you have Whitman and his poem to thank for it. To him, the universe seems compact, harmonious, and well-adjusted. He realizes that the bonds between himself and other people are subtle but enduring.

In this attempt, man tries to transcend the boundaries of space and time. Whitman probes into the future and identifies himself with persons who will cross the river "a hundred years hence.

On the ferry-boats, the hundreds and hundreds that cross, returning home, are more curious to me than you suppose; And you that shall cross from shore to shore years hence, are more to me, and more in my meditations, than you might suppose.

I watch you face to face; Clouds of the west! The physical existence of man is like a ferry plying between the two shores of mortality and immortality.

Wishing to suggest the quality of spiritual unification, Whitman has used the metaphor of a chemical solution: The poet, in seeking his own physical and spiritual identity, endeavors to unite his sensibility with that of his reader. Gaze, loving and thirsting eyes, in the house, or street, or public assembly!

He started his writing career as a journalist, and he contributed to two Brooklyn newspapers, the Daily Eagle and Brooklyn Freeman, the latter of which he founded in The ferry moves on, from a point of land, through water, to another point of land.

Land and water thus form part of the symbolistic pattern of the poem. Land symbolizes the physical; water symbolizes the spiritual. Crossing Brooklyn Ferry by Walt Whitman. Crossing Brooklyn Ferry Learning Guide by PhD students from Stanford, Harvard, Berkeley. A Close Reading of "Crossing Brooklyn Ferry" - "Crossing Brooklyn Ferry" is a poem about a man taking the Brooklyn ferry home from Manhattan at the end of a working day.

It is one of Walt Whitman’s best-known and best-loved poems because it so astutely and insightfully argues for Whitman's idea that all humans are united in their common. "Crossing Brooklyn Ferry" is a poem by Walt Whitman, and is part of his collection Leaves of Grass.

A Close Reading of

It describes the ferry trip across the East River from Manhattan to Brooklyn at the exact location that was to become the Brooklyn Bridge. The speaker begins half an hour before sunset. Ultimately, Whitman makes "Crossing Brooklyn Ferry" universal by emphasizing the inherent and enduring connection between man and nature.

The speaker's journey between Manhattan and Brooklyn is a metaphor for the passage of time. Crossing Brooklyn Ferry - Flood-tide below me!

I watch you face to face.

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Crossing brooklyn ferry
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